The Life Cycle

Folkloric customs and practices were part of everyday life, helping people navigate the uncertainties of the world around them. For those living centuries ago, disease, poverty and harsh conditions were a constant reality. Superstition and ritual could offer comfort and a sense of control when faced with the unknown.

Customs surrounding birth, love and death marked some of the most important stages of life. These could be times of great joy, but also uncertainty and heartache. Tokens, rituals and charms were used to bring luck, happiness and protection.

Customs around mortality and burial helped families mourn their loved ones and find a sense of closure. Death was more commonplace than it is today, and in the face of this many looked for signs and omens. A candle that suddenly spluttered and went out could signal an approaching fatality, while hearing the first cuckoo of the year was thought to foretell illness or death. Colour remaining in the cheeks of a corpse suggested another demise was soon to follow.

But omens were not always about death. People also looked for signs of good fortune. A baby born on a Sunday was said to grow ‘Blithe, bonny, good and gay’. For newlywed East Anglian couples, seeing a soot-covered chimney sweep as they left the church was considered especially lucky.

Some even tried to take fate into their own hands, using tokens, potions and rituals. At weddings, the Best Man might pay a local chimney sweep to appear and bring good luck.

Folkloric beliefs offered signs to look out for and perhaps reassurance about what might come next.

Object labels

  1. A ‘caul’ mounted on brown paper, CAMFK:143.61

    A caul is a piece of the amniotic sac that remains over a newborn’s head after birth. This rare occurrence was once considered a sign of good fortune. Cauls were preserved and given to soldiers and sailors to protect them from harm during wartime. This example was donated to the museum by folklorist W. H. Barrett in 1961. Barrett himself was ‘born in the caul’.

  2. Maternity Pincushion with the message ‘Thou spotless gift, from reeling above, Welcome here sweet pledge of love.’ CAMFK:H010.81

    Pincushions were useful gifts given to new mothers after the birth of their child. Pins were used to decorate the cushions, spelling out names and phrases. However, according to tradition, the cushion should only be given after the birth. Otherwise, it was believed to tempt fate and risk a difficult birth for the mother. As the saying goes, ‘For every pin a pain’.

  3. Harvest token or countryman’s favour made from corn. NN

    Made from three ears of corn, two of these tokens would be created by a young man hoping to court a young woman. A subtle way of proposing courtship, the young man would pin one token to the left side of his chest and present the other to his sweetheart at church on a Sunday morning.

    If, by the following week, the woman was wearing the token on her right side, he had been rejected. However, if she wore it on her left side, she had reciprocated his interest.

  4. Harvest mouse bread made from the last sheaf of the harvest, c. 1919. Folklore Society Collection, CAMFK:429.88

    This mouse-shaped piece of baked bread is an example of a ‘Good Friday loaf’. It was customary in Cambridgeshire to bake a very dry loaf of bread on Good Friday and keep it for the rest of the year. If the loaf remained free from mould, it was believed to ensure that the family would be free from want and hunger. If it stayed mould-free, it would be soaked and re-baked on Easter Sunday the following year. It was even said to be good for indigestion.

  5. Dragon’s blood love potion. Folklore Society Collection, CAMFK:437.88

    This potion was made using a red powder known as ‘dragon’s blood’, obtained from the fruit of the Calamus draco plant. Lovelorn young people in Cambridgeshire could ask the local wise woman for a potion to improve their appearance and attract a partner. A pinch of dragon’s blood in a cup of tea was said to do the trick. Fortunately, no dragons were harmed in the process!
  6. St Bridget’s cross. Folklore Society Collection, CAMFK:431.88

    A more common form of corn dolly, made from the last sheaf of the harvest each year.

  7. Corn maiden or ‘Cailleach’, c. 1895, Scotland. Folklore Society Collection, CAMFK:428.88

    This is a more elaborate version of a corn dolly, which is usually a small decorative favour. This example represents the Cailleach, a figure from Gaelic mythology associated with a divine hag or Queen of Winter.

    Corn dollies were made from the last sheaf of the crop at the end of the harvest. The corn maiden was believed to invoke the Corn Spirit to ensure a prosperous harvest the following year.

  8. Two chicken wishbones or ‘marriage bones’, 1895, Islay, Argyllshire. Folklore Society Collection, NN

    It was a Fen custom for young couples, shortly before marriage, to give a chicken to the local wise woman, who would cook and eat it. She would then return the wishbone, tied with a length of red wool. The bride would keep it under her pillow. When the couple had children, the red wool would be tied around the baby’s ankle as a preventative against rickets.

  9. Burial veil worn by an unmarried woman at a girl’s funeral, nineteenth century, made from starched muslin or gauze. Folklore Society Collection, CAMFK:427.88

    Black is traditionally worn at funerals to symbolise the solemnity of the occasion. However, in East Anglia and beyond, white was sometimes worn at children’s funerals to symbolise innocence. When a young girl died, her friends would sometimes accompany her coffin, all dressed in white.

    This veil is reported to have been worn by an unmarried woman at a young girl’s funeral. White symbolised the innocence of both the deceased and the mourner.

  10. Two photographs of a Fen funeral party, c 1906. CAMFK:371.75.

 

Object images
Brown paper with discoloration and patches of black extending across the page in a rough triangular shape. Framed in a black frame.

1. A ‘caul’ mounted on brown paper, CAMFK:143.61

Rectangular, cream, silk cushion with cream tassels and fringe. Hundreds of steel pins are placed in a three-dimensional floral pattern and boarder. In the centre a message is speeled out using smaller pins. The message reads ‘Thou spotless gift, from reeling above, Welcome here sweet pledge of love.’

2. Maternity Pincushion with the message ‘Thou spotless gift, from reeling above, Welcome here sweet pledge of love.’ CAMFK:H010.81

Two ears of corn folded over and tied together with another piece of corn. Each piece of corn's tassel faces in opposite directions.

3. Harvest token or countryman’s favour made from corn. NN

Mouse figure shaped from bead that appears brown. The mouse has black current eyes, a tail and two whiskers in the form of strings.

4. Harvest mouse bread made from the last sheaf of the harvest, c. 1919. Folklore Society Collection, CAMFK:429.88

Dark red/ black cylindrical piece of solid matter. It has rough ends resembling a thick, blunt crayon. It has a thin, folded piece of cream paper surrounding it that has been twisted at either end. This acts as the piece's wrapper.

5. Dragon’s blood love potion. Folklore Society Collection, CAMFK:437.88

Multiple reeds of brown strands of wicker or con woven into a square at the centre with four bundles protruding from each corner and tied together at their ends by white string.

6. St Bridget’s cross. Folklore Society Collection, CAMFK:431.88

Soft doll with a corn tassel face and corn stalk feet. It is clothed in a white bonnet, brown woollen shawl, blue and white striped shirt, red apron and brown skirt.

7. Corn maiden or ‘Cailleach’, c. 1895, Scotland. Folklore Society Collection, CAMFK:428.88

Brown, rectangular, wooden board with one small and one larger, real wishbone mounted one above the other. In the top left corner, a label reads 'Folklore Society' At the bottom a label reads "A'cnaimhean-pos-aidh', the merry thought of a chicken (marriage bone) Islay, Argyle sh. Dept. Folk-lore Soc, 1885."

8. Two chicken wishbones or ‘marriage bones’, 1895, Islay, Argyllshire. Folklore Society Collection, NN

Cream veil shown from the back. Multiple pleats extend from the crown to the base of the cabinet in which it is presented. A silk bow sits at the back and a ribbon ties around the neck with bows at the front and back,

9. Burial veil worn by an unmarried woman at a girl’s funeral, nineteenth century, made from starched muslin or gauze. Folklore Society Collection, CAMFK:427.88

Black and white photograph of six figures standing around the back end of a cart upon which men and women are seated. The figures are wearing period dress from around the 1890s including bowler hats and flat caps. a priest in a cloak and square hat is in the fore. On the cart is a floral wreath and cross.
Black and white photograph of six figures standing around the front end of a cart pulled by two horses upon which men and women are seated. The figures are wearing period dress from around the 1890s including bowler hats and flat caps. a priest in a cloak and square hat is in the centre. On the cart is a floral cross.

10. Two photographs of a Fen funeral party, c 1906. CAMFK:371.75.

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