A small museum, with a big story to share
January ended with James waiting anxiously for a cargo of wheat from Hamburg which he bought for £1,300 (several tons of wheat). On Thursday 31st of January James writes in his diary: I hope the ship will come but no
It was a sad irony to discover in the Museum of Cambridge the beautiful book of etchings by Robert Farren, Cambridge and Its Neighbourhood, published in 1881, just as Farren’s house of the same year, Mayfield, 110 Hills Road, was
We’re looking for an inspirational Director to take on a career-defining role at the Museum of Cambridge. The Museum of Cambridge offers a unique opportunity for an inspirational leader to shape the future of one of the city’s most valued
CAMFK 656.36: Carved wooden figurehead of Queen Victoria, created by a disabled person. The Museum of Cambridge is thrilled to announce an exciting new initiative made possible by a £99,802 grant from the Esmée Fairbairn Collections Fund through the Museums
Christmas had been a non-event for James Nutter who, as a Baptist and a true Puritan spirit, had worked most of that day. After all, Christmas had been condemned and banned in the 1640s by the Puritan parliament who saw
While these five small objects might not look important at first glance, on closer inspection they have a huge wealth of history and lore surrounding them. They are astragali, or knucklebones, and are the talus bones from sheep or goats.
In Georgian times, the festive season started on the 6th of December (Saint Nicholas’ day) and finished on Twelfth Night (the evening preceding Epiphany). This meant that, at least for the middle classes and the aristocracy, there was during this
We continue looking into Victorian Cambridge through the eyes of Josiah Chater, a young draper’s apprentice. Read on to see what 1844 Christmas had in store for him! An observation Josiah noted down and was impressed by was the amount
Josiah Chater started to keep his diary in October 1844 at the age of 15. He was living at the time at 12 Market Street, apprenticed to William Eaden Lilley, draper, carpet warehouseman, paper merchant and seller of painting materials.
‘The Stories Behind the Stitches’ exhibition is running until Autumn 2024 at the Museum of Cambridge. The Museum of Cambridge holds a collection of embroideries stitching a range of subjects from flora and fauna to fairy tales. What is